SHOWING WITHOUT GOING

Spectrums

Audience
Spectator
Co-creator
Responsibility
Individual
Shared
Required availability of the artist
Completely available
Completely unneccesary
The experience of participation as
Affirmative
Antagonistic
Site
Neutral
Site-responsive / site-specific
Responsibility
Artist
Host
Active audience
mentally active
physical active
Situation with audience
Risky
Predictable
Preparation
Unrehearsed
Rehearsed
Addressing absence and distance in the work
Address as an explicit content
Address as implicit content
Big / Little Brother
sense of guide's strong authority and control
sense of vulnerability / fragility in the guide, he/she/it needs our assistance
Technical Requirements
No Use of Technology Necessary
Advanced & Hi-Technology Necessary
Relationship with audience
Trusting
Controlling
Absence
Imposed
Chosen
Control of participation
Guided / precise / careful / minimal
Anarchic / messy / unpredictable / expansive
Responsibility
Artist
Audience
Technology as
Tool
Co-creator
Authorship
Copyright
Open Source
Identity of Artist
Known
Anonymous
Absence as
compromise
benefit
Performer
Non-human
Human
Travel
On foot
By plane
Laziness as
selective participation
energy management
Presence
Artist absent
Artist present
Engagement Period
One Performance / Workshop
Weekly sessions / Yearly Collaborations
Experience
Individual
Collective
Sensorial experience
One sense
Multiplicity of senses
Awareness of artifice, absence, (a)liveness
Aware / sure
Unaware / unsure
Location
Familiar
Unfamiliar
Format
Fixed / pre-recorded
Live / responsive
Mode of transmission
Experiential (i.e. physical, relational, immersive....)
Transference (i.e. representation, audience as observer....)
Audience
witnessing
spectating
Adaptation
Existing form
Showing Without Going
Duration
A moment
Infinity
Control
Lost
Total
Space & Connectivity
Offline
Online