approaches
considerations
examples
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SHOWING WITHOUT GOING
Questions
Whose non-travel is being enabled?
Power dynamics
Collaboration vs implementation
Physical contact from a distance
Timing
Amount of Partner Countries Involved
How often can it happen?
Which language do we speak?
Technology access and supporting infrastructure
Insisting on Presence
Finding a common language
Impact
Preparation
Local
Advantages
Responsibility - artist/host
Not Your Thing?
The importance of being lazy
Responsibility of the Audience
Levels and tiers of participation ~ spectatorship
How to collaborate at a distance?
What is affordable…
Environment
Transcending I-other
What is the opposite of travel?
Feedback and Evaluation
Responsibility
A relationship between absence and death?
Funding Structure
A new set of legal and contractual negotiations?
Authorship
“Liveness”
Technology / Working in new sectors
Theatre staff - New roles, responsibilities, wages?
Out of control
Time and space shared
Not travelling due to strenuous visa demands
Audience
Risk in performance
Power
Respect
Control
Imprint
Outcomes
Technology
Longevity - models of legacy
Payment when absent
Collective
Consequence / Impact / Usefulness
Disability
Spectrums
Awareness of artifice, absence, (a)liveness
Aware / sure
Unaware / unsure
Addressing absence and distance in the work
Address as an explicit content
Address as implicit content
Engagement Period
One Performance / Workshop
Weekly sessions / Yearly Collaborations
Presence
Artist absent
Artist present
Relationship with audience
Trusting
Controlling
Big / Little Brother
sense of guide's strong authority and control
sense of vulnerability / fragility in the guide, he/she/it needs our assistance
Technical Requirements
No Use of Technology Necessary
Advanced & Hi-Technology Necessary
Situation with audience
Risky
Predictable
Location
Familiar
Unfamiliar
Performer
Non-human
Human
The experience of participation as
Affirmative
Antagonistic
Control of participation
Guided / precise / careful / minimal
Anarchic / messy / unpredictable / expansive
Experience
Individual
Collective
Audience
witnessing
spectating
Responsibility
Artist
Audience
Required availability of the artist
Completely available
Completely unneccesary
Format
Fixed / pre-recorded
Live / responsive
Absence as
compromise
benefit
Control
Lost
Total
Site
Neutral
Site-responsive / site-specific
Laziness as
selective participation
energy management
Sensorial experience
One sense
Multiplicity of senses
Authorship
Copyright
Open Source
Adaptation
Existing form
Showing Without Going
Mode of transmission
Experiential (i.e. physical, relational, immersive....)
Transference (i.e. representation, audience as observer....)
Audience
Spectator
Co-creator
Duration
A moment
Infinity
Preparation
Unrehearsed
Rehearsed
Responsibility
Artist
Host
Travel
On foot
By plane
Space & Connectivity
Offline
Online
Identity of Artist
Known
Anonymous
Absence
Imposed
Chosen
Active audience
mentally active
physical active
Technology as
Tool
Co-creator
Responsibility
Individual
Shared
Statements
Beyond solutions or restrictions
Interlinking climate change with other challenges
There are many reasons for Showing Without Going
Censorship
Regional Imbalance
Travel Limitations
Implications of technology race
Data and Privacy Protection