approaches
considerations
examples
connections
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SHOWING WITHOUT GOING
Questions
Collaboration vs implementation
Responsibility - artist/host
Insisting on Presence
Authorship
Longevity - models of legacy
Local
Not travelling due to strenuous visa demands
A relationship between absence and death?
Environment
How often can it happen?
Responsibility
Physical contact from a distance
Control
Respect
How to collaborate at a distance?
“Liveness”
Amount of Partner Countries Involved
Technology / Working in new sectors
Which language do we speak?
What is the opposite of travel?
Impact
Imprint
Transcending I-other
Collective
Funding Structure
Preparation
Not Your Thing?
Consequence / Impact / Usefulness
Finding a common language
Power
Out of control
Whose non-travel is being enabled?
Payment when absent
Advantages
What is affordable…
The importance of being lazy
Timing
Disability
Technology access and supporting infrastructure
Power dynamics
A new set of legal and contractual negotiations?
Risk in performance
Theatre staff - New roles, responsibilities, wages?
Levels and tiers of participation ~ spectatorship
Audience
Responsibility of the Audience
Outcomes
Time and space shared
Feedback and Evaluation
Technology
Spectrums
Situation with audience
Risky
Predictable
Laziness as
selective participation
energy management
Big / Little Brother
sense of guide's strong authority and control
sense of vulnerability / fragility in the guide, he/she/it needs our assistance
Absence as
compromise
benefit
Duration
A moment
Infinity
Technical Requirements
No Use of Technology Necessary
Advanced & Hi-Technology Necessary
Absence
Imposed
Chosen
Relationship with audience
Trusting
Controlling
The experience of participation as
Affirmative
Antagonistic
Control of participation
Guided / precise / careful / minimal
Anarchic / messy / unpredictable / expansive
Travel
On foot
By plane
Responsibility
Artist
Audience
Addressing absence and distance in the work
Address as an explicit content
Address as implicit content
Identity of Artist
Known
Anonymous
Awareness of artifice, absence, (a)liveness
Aware / sure
Unaware / unsure
Responsibility
Individual
Shared
Space & Connectivity
Offline
Online
Format
Fixed / pre-recorded
Live / responsive
Sensorial experience
One sense
Multiplicity of senses
Engagement Period
One Performance / Workshop
Weekly sessions / Yearly Collaborations
Preparation
Unrehearsed
Rehearsed
Site
Neutral
Site-responsive / site-specific
Mode of transmission
Experiential (i.e. physical, relational, immersive....)
Transference (i.e. representation, audience as observer....)
Audience
witnessing
spectating
Control
Lost
Total
Required availability of the artist
Completely available
Completely unneccesary
Audience
Spectator
Co-creator
Location
Familiar
Unfamiliar
Adaptation
Existing form
Showing Without Going
Experience
Individual
Collective
Active audience
mentally active
physical active
Performer
Non-human
Human
Authorship
Copyright
Open Source
Technology as
Tool
Co-creator
Presence
Artist absent
Artist present
Responsibility
Artist
Host
Statements
Interlinking climate change with other challenges
Regional Imbalance
There are many reasons for Showing Without Going
Travel Limitations
Implications of technology race
Censorship
Data and Privacy Protection
Beyond solutions or restrictions