approaches
considerations
examples
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SHOWING WITHOUT GOING
Questions
Insisting on Presence
Technology access and supporting infrastructure
Technology / Working in new sectors
Authorship
Imprint
Longevity - models of legacy
Which language do we speak?
Respect
Out of control
Time and space shared
Advantages
Audience
Preparation
Responsibility
Responsibility - artist/host
Amount of Partner Countries Involved
How to collaborate at a distance?
Responsibility of the Audience
Theatre staff - New roles, responsibilities, wages?
Payment when absent
Not Your Thing?
Whose non-travel is being enabled?
A relationship between absence and death?
Levels and tiers of participation ~ spectatorship
Risk in performance
Funding Structure
Feedback and Evaluation
The importance of being lazy
Outcomes
How often can it happen?
Control
Technology
Consequence / Impact / Usefulness
Transcending I-other
Collaboration vs implementation
Local
Physical contact from a distance
What is the opposite of travel?
Finding a common language
Power dynamics
“Liveness”
Power
A new set of legal and contractual negotiations?
Collective
Timing
Disability
Impact
Environment
What is affordable…
Not travelling due to strenuous visa demands
Spectrums
Experience
Individual
Collective
Space & Connectivity
Offline
Online
Responsibility
Artist
Host
Big / Little Brother
sense of guide's strong authority and control
sense of vulnerability / fragility in the guide, he/she/it needs our assistance
Identity of Artist
Known
Anonymous
Adaptation
Existing form
Showing Without Going
Responsibility
Artist
Audience
Authorship
Copyright
Open Source
Technical Requirements
No Use of Technology Necessary
Advanced & Hi-Technology Necessary
Situation with audience
Risky
Predictable
Active audience
mentally active
physical active
Absence
Imposed
Chosen
Presence
Artist absent
Artist present
Mode of transmission
Experiential (i.e. physical, relational, immersive....)
Transference (i.e. representation, audience as observer....)
Travel
On foot
By plane
Awareness of artifice, absence, (a)liveness
Aware / sure
Unaware / unsure
Required availability of the artist
Completely available
Completely unneccesary
Preparation
Unrehearsed
Rehearsed
Addressing absence and distance in the work
Address as an explicit content
Address as implicit content
Audience
witnessing
spectating
Control
Lost
Total
Laziness as
selective participation
energy management
Location
Familiar
Unfamiliar
Audience
Spectator
Co-creator
Relationship with audience
Trusting
Controlling
The experience of participation as
Affirmative
Antagonistic
Site
Neutral
Site-responsive / site-specific
Technology as
Tool
Co-creator
Duration
A moment
Infinity
Control of participation
Guided / precise / careful / minimal
Anarchic / messy / unpredictable / expansive
Performer
Non-human
Human
Responsibility
Individual
Shared
Sensorial experience
One sense
Multiplicity of senses
Absence as
compromise
benefit
Format
Fixed / pre-recorded
Live / responsive
Engagement Period
One Performance / Workshop
Weekly sessions / Yearly Collaborations
Statements
Regional Imbalance
Interlinking climate change with other challenges
There are many reasons for Showing Without Going
Data and Privacy Protection
Travel Limitations
Beyond solutions or restrictions
Implications of technology race
Censorship