approaches
considerations
examples
connections
BACK
FULLSCREEN
PINNED
HELP
ABOUT
SHOWING WITHOUT GOING
Questions
Consequence / Impact / Usefulness
Risk in performance
Which language do we speak?
Collaboration vs implementation
How to collaborate at a distance?
Disability
Not travelling due to strenuous visa demands
Not Your Thing?
Payment when absent
What is the opposite of travel?
Feedback and Evaluation
Local
Out of control
Advantages
A relationship between absence and death?
Finding a common language
Timing
Technology
Insisting on Presence
Power
Funding Structure
Amount of Partner Countries Involved
How often can it happen?
Technology / Working in new sectors
Levels and tiers of participation ~ spectatorship
Preparation
The importance of being lazy
Environment
Outcomes
Audience
A new set of legal and contractual negotiations?
Technology access and supporting infrastructure
Transcending I-other
Control
Responsibility - artist/host
Time and space shared
Collective
Physical contact from a distance
What is affordable…
Power dynamics
Whose non-travel is being enabled?
Respect
Longevity - models of legacy
Theatre staff - New roles, responsibilities, wages?
Authorship
Responsibility of the Audience
“Liveness”
Impact
Responsibility
Imprint
Spectrums
Audience
witnessing
spectating
Sensorial experience
One sense
Multiplicity of senses
Awareness of artifice, absence, (a)liveness
Aware / sure
Unaware / unsure
Control of participation
Guided / precise / careful / minimal
Anarchic / messy / unpredictable / expansive
Performer
Non-human
Human
Duration
A moment
Infinity
Responsibility
Artist
Host
The experience of participation as
Affirmative
Antagonistic
Presence
Artist absent
Artist present
Addressing absence and distance in the work
Address as an explicit content
Address as implicit content
Engagement Period
One Performance / Workshop
Weekly sessions / Yearly Collaborations
Site
Neutral
Site-responsive / site-specific
Control
Lost
Total
Travel
On foot
By plane
Authorship
Copyright
Open Source
Experience
Individual
Collective
Adaptation
Existing form
Showing Without Going
Preparation
Unrehearsed
Rehearsed
Situation with audience
Risky
Predictable
Relationship with audience
Trusting
Controlling
Responsibility
Individual
Shared
Responsibility
Artist
Audience
Technical Requirements
No Use of Technology Necessary
Advanced & Hi-Technology Necessary
Technology as
Tool
Co-creator
Absence
Imposed
Chosen
Big / Little Brother
sense of guide's strong authority and control
sense of vulnerability / fragility in the guide, he/she/it needs our assistance
Format
Fixed / pre-recorded
Live / responsive
Location
Familiar
Unfamiliar
Required availability of the artist
Completely available
Completely unneccesary
Space & Connectivity
Offline
Online
Identity of Artist
Known
Anonymous
Laziness as
selective participation
energy management
Absence as
compromise
benefit
Audience
Spectator
Co-creator
Active audience
mentally active
physical active
Mode of transmission
Experiential (i.e. physical, relational, immersive....)
Transference (i.e. representation, audience as observer....)
Statements
Interlinking climate change with other challenges
Implications of technology race
There are many reasons for Showing Without Going
Data and Privacy Protection
Censorship
Regional Imbalance
Beyond solutions or restrictions
Travel Limitations