approaches
considerations
examples
connections
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SHOWING WITHOUT GOING
Questions
What is the opposite of travel?
Transcending I-other
A relationship between absence and death?
Authorship
Power dynamics
Responsibility - artist/host
Physical contact from a distance
Technology / Working in new sectors
Environment
Collaboration vs implementation
Respect
Audience
A new set of legal and contractual negotiations?
Disability
Finding a common language
Collective
Amount of Partner Countries Involved
Responsibility of the Audience
Time and space shared
Preparation
Out of control
How often can it happen?
Imprint
Responsibility
Consequence / Impact / Usefulness
Payment when absent
Feedback and Evaluation
Timing
Which language do we speak?
“Liveness”
Technology
Funding Structure
What is affordable…
Insisting on Presence
Theatre staff - New roles, responsibilities, wages?
Not travelling due to strenuous visa demands
Impact
Longevity - models of legacy
Whose non-travel is being enabled?
Levels and tiers of participation ~ spectatorship
Outcomes
Not Your Thing?
Power
Risk in performance
How to collaborate at a distance?
The importance of being lazy
Local
Control
Technology access and supporting infrastructure
Advantages
Spectrums
Situation with audience
Risky
Predictable
Big / Little Brother
sense of guide's strong authority and control
sense of vulnerability / fragility in the guide, he/she/it needs our assistance
Addressing absence and distance in the work
Address as an explicit content
Address as implicit content
Space & Connectivity
Offline
Online
Duration
A moment
Infinity
Required availability of the artist
Completely available
Completely unneccesary
Performer
Non-human
Human
Responsibility
Individual
Shared
Authorship
Copyright
Open Source
Responsibility
Artist
Audience
Responsibility
Artist
Host
Audience
witnessing
spectating
Audience
Spectator
Co-creator
Absence as
compromise
benefit
Control of participation
Guided / precise / careful / minimal
Anarchic / messy / unpredictable / expansive
Preparation
Unrehearsed
Rehearsed
Awareness of artifice, absence, (a)liveness
Aware / sure
Unaware / unsure
Laziness as
selective participation
energy management
Adaptation
Existing form
Showing Without Going
Travel
On foot
By plane
Site
Neutral
Site-responsive / site-specific
Location
Familiar
Unfamiliar
Identity of Artist
Known
Anonymous
Control
Lost
Total
Experience
Individual
Collective
Absence
Imposed
Chosen
Format
Fixed / pre-recorded
Live / responsive
Mode of transmission
Experiential (i.e. physical, relational, immersive....)
Transference (i.e. representation, audience as observer....)
Presence
Artist absent
Artist present
Active audience
mentally active
physical active
Sensorial experience
One sense
Multiplicity of senses
Relationship with audience
Trusting
Controlling
Technology as
Tool
Co-creator
The experience of participation as
Affirmative
Antagonistic
Technical Requirements
No Use of Technology Necessary
Advanced & Hi-Technology Necessary
Engagement Period
One Performance / Workshop
Weekly sessions / Yearly Collaborations
Statements
Beyond solutions or restrictions
Interlinking climate change with other challenges
Regional Imbalance
Censorship
Implications of technology race
Data and Privacy Protection
There are many reasons for Showing Without Going
Travel Limitations