approaches
considerations
examples
connections
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SHOWING WITHOUT GOING
Questions
How to collaborate at a distance?
Which language do we speak?
Time and space shared
Control
Respect
“Liveness”
Feedback and Evaluation
Impact
Amount of Partner Countries Involved
Technology access and supporting infrastructure
Technology / Working in new sectors
Timing
What is the opposite of travel?
Funding Structure
Advantages
What is affordable…
Longevity - models of legacy
How often can it happen?
Levels and tiers of participation ~ spectatorship
Theatre staff - New roles, responsibilities, wages?
Power
Responsibility
Responsibility - artist/host
Consequence / Impact / Usefulness
Not travelling due to strenuous visa demands
Power dynamics
Whose non-travel is being enabled?
Collaboration vs implementation
Authorship
Physical contact from a distance
Out of control
Disability
Environment
Preparation
Local
Outcomes
The importance of being lazy
Finding a common language
Responsibility of the Audience
Payment when absent
A relationship between absence and death?
Technology
Imprint
Collective
Insisting on Presence
Not Your Thing?
Transcending I-other
A new set of legal and contractual negotiations?
Audience
Risk in performance
Spectrums
Technical Requirements
No Use of Technology Necessary
Advanced & Hi-Technology Necessary
Space & Connectivity
Offline
Online
Format
Fixed / pre-recorded
Live / responsive
Preparation
Unrehearsed
Rehearsed
Adaptation
Existing form
Showing Without Going
Responsibility
Individual
Shared
Audience
witnessing
spectating
Authorship
Copyright
Open Source
Absence
Imposed
Chosen
Site
Neutral
Site-responsive / site-specific
Responsibility
Artist
Host
Responsibility
Artist
Audience
Active audience
mentally active
physical active
Audience
Spectator
Co-creator
Control
Lost
Total
Identity of Artist
Known
Anonymous
Engagement Period
One Performance / Workshop
Weekly sessions / Yearly Collaborations
Travel
On foot
By plane
Required availability of the artist
Completely available
Completely unneccesary
Presence
Artist absent
Artist present
Laziness as
selective participation
energy management
Performer
Non-human
Human
Situation with audience
Risky
Predictable
The experience of participation as
Affirmative
Antagonistic
Mode of transmission
Experiential (i.e. physical, relational, immersive....)
Transference (i.e. representation, audience as observer....)
Big / Little Brother
sense of guide's strong authority and control
sense of vulnerability / fragility in the guide, he/she/it needs our assistance
Experience
Individual
Collective
Duration
A moment
Infinity
Sensorial experience
One sense
Multiplicity of senses
Technology as
Tool
Co-creator
Absence as
compromise
benefit
Control of participation
Guided / precise / careful / minimal
Anarchic / messy / unpredictable / expansive
Awareness of artifice, absence, (a)liveness
Aware / sure
Unaware / unsure
Location
Familiar
Unfamiliar
Relationship with audience
Trusting
Controlling
Addressing absence and distance in the work
Address as an explicit content
Address as implicit content
Statements
Travel Limitations
Implications of technology race
There are many reasons for Showing Without Going
Censorship
Interlinking climate change with other challenges
Regional Imbalance
Beyond solutions or restrictions
Data and Privacy Protection