approaches
considerations
examples
connections
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SHOWING WITHOUT GOING
Questions
Control
Theatre staff - New roles, responsibilities, wages?
Whose non-travel is being enabled?
Payment when absent
Transcending I-other
Technology
Feedback and Evaluation
The importance of being lazy
Collaboration vs implementation
Imprint
Amount of Partner Countries Involved
Collective
Risk in performance
Time and space shared
Audience
Local
Responsibility of the Audience
Longevity - models of legacy
A new set of legal and contractual negotiations?
Funding Structure
Out of control
What is the opposite of travel?
How to collaborate at a distance?
Preparation
Finding a common language
Environment
Impact
How often can it happen?
Which language do we speak?
“Liveness”
Not travelling due to strenuous visa demands
Responsibility - artist/host
Levels and tiers of participation ~ spectatorship
Advantages
Power dynamics
Outcomes
Responsibility
Respect
Technology / Working in new sectors
Not Your Thing?
Consequence / Impact / Usefulness
A relationship between absence and death?
Disability
Insisting on Presence
What is affordable…
Timing
Authorship
Technology access and supporting infrastructure
Power
Physical contact from a distance
Spectrums
Experience
Individual
Collective
Space & Connectivity
Offline
Online
Situation with audience
Risky
Predictable
Mode of transmission
Experiential (i.e. physical, relational, immersive....)
Transference (i.e. representation, audience as observer....)
Identity of Artist
Known
Anonymous
Control
Lost
Total
Absence
Imposed
Chosen
Relationship with audience
Trusting
Controlling
Authorship
Copyright
Open Source
Audience
Spectator
Co-creator
Format
Fixed / pre-recorded
Live / responsive
Location
Familiar
Unfamiliar
The experience of participation as
Affirmative
Antagonistic
Technical Requirements
No Use of Technology Necessary
Advanced & Hi-Technology Necessary
Control of participation
Guided / precise / careful / minimal
Anarchic / messy / unpredictable / expansive
Laziness as
selective participation
energy management
Responsibility
Artist
Host
Presence
Artist absent
Artist present
Required availability of the artist
Completely available
Completely unneccesary
Addressing absence and distance in the work
Address as an explicit content
Address as implicit content
Technology as
Tool
Co-creator
Duration
A moment
Infinity
Absence as
compromise
benefit
Active audience
mentally active
physical active
Audience
witnessing
spectating
Sensorial experience
One sense
Multiplicity of senses
Adaptation
Existing form
Showing Without Going
Responsibility
Individual
Shared
Site
Neutral
Site-responsive / site-specific
Performer
Non-human
Human
Awareness of artifice, absence, (a)liveness
Aware / sure
Unaware / unsure
Preparation
Unrehearsed
Rehearsed
Travel
On foot
By plane
Engagement Period
One Performance / Workshop
Weekly sessions / Yearly Collaborations
Responsibility
Artist
Audience
Big / Little Brother
sense of guide's strong authority and control
sense of vulnerability / fragility in the guide, he/she/it needs our assistance
Statements
Implications of technology race
Regional Imbalance
Travel Limitations
Censorship
Data and Privacy Protection
Beyond solutions or restrictions
There are many reasons for Showing Without Going
Interlinking climate change with other challenges