approaches
considerations
examples
connections
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SHOWING WITHOUT GOING
Questions
What is the opposite of travel?
Local
A relationship between absence and death?
Longevity - models of legacy
Technology / Working in new sectors
Audience
Transcending I-other
Collective
Outcomes
How to collaborate at a distance?
Control
The importance of being lazy
Authorship
Power dynamics
Environment
Respect
Power
Responsibility of the Audience
Physical contact from a distance
Theatre staff - New roles, responsibilities, wages?
Levels and tiers of participation ~ spectatorship
Insisting on Presence
Payment when absent
Which language do we speak?
Finding a common language
Feedback and Evaluation
Not Your Thing?
Technology access and supporting infrastructure
Funding Structure
Timing
Preparation
A new set of legal and contractual negotiations?
Time and space shared
Not travelling due to strenuous visa demands
How often can it happen?
What is affordable…
Impact
Consequence / Impact / Usefulness
Collaboration vs implementation
Imprint
Responsibility - artist/host
Technology
Advantages
Out of control
Risk in performance
Whose non-travel is being enabled?
Amount of Partner Countries Involved
Responsibility
“Liveness”
Disability
Spectrums
Control of participation
Guided / precise / careful / minimal
Anarchic / messy / unpredictable / expansive
Format
Fixed / pre-recorded
Live / responsive
Duration
A moment
Infinity
Absence
Imposed
Chosen
The experience of participation as
Affirmative
Antagonistic
Relationship with audience
Trusting
Controlling
Addressing absence and distance in the work
Address as an explicit content
Address as implicit content
Responsibility
Artist
Audience
Audience
witnessing
spectating
Sensorial experience
One sense
Multiplicity of senses
Engagement Period
One Performance / Workshop
Weekly sessions / Yearly Collaborations
Awareness of artifice, absence, (a)liveness
Aware / sure
Unaware / unsure
Preparation
Unrehearsed
Rehearsed
Technology as
Tool
Co-creator
Experience
Individual
Collective
Responsibility
Individual
Shared
Presence
Artist absent
Artist present
Identity of Artist
Known
Anonymous
Site
Neutral
Site-responsive / site-specific
Technical Requirements
No Use of Technology Necessary
Advanced & Hi-Technology Necessary
Location
Familiar
Unfamiliar
Control
Lost
Total
Performer
Non-human
Human
Authorship
Copyright
Open Source
Mode of transmission
Experiential (i.e. physical, relational, immersive....)
Transference (i.e. representation, audience as observer....)
Audience
Spectator
Co-creator
Absence as
compromise
benefit
Space & Connectivity
Offline
Online
Required availability of the artist
Completely available
Completely unneccesary
Responsibility
Artist
Host
Laziness as
selective participation
energy management
Active audience
mentally active
physical active
Adaptation
Existing form
Showing Without Going
Travel
On foot
By plane
Situation with audience
Risky
Predictable
Big / Little Brother
sense of guide's strong authority and control
sense of vulnerability / fragility in the guide, he/she/it needs our assistance
Statements
Censorship
Implications of technology race
Beyond solutions or restrictions
Travel Limitations
Data and Privacy Protection
Regional Imbalance
There are many reasons for Showing Without Going
Interlinking climate change with other challenges