SHOWING WITHOUT GOING

Responsibility of the Audience

At what point does an audience become responsible for the work; how it unfolds or turns out? 

Is there a risk they do not realise this point arrives? Where might confusion arise? 

What conventions pre-suppose a lack of responsibility from a paying public? 

In what ways can you be responsible for something you 'witness'? 

Connections

A dance programme in the form of exercise videos

We are going to create a dance festival

where the different pieces are exercise videos that we commission.

Each exercise video is a dance. 

A dance which you learn, which you incorporate. 

By learning this dance, you also exercise. 

The dance festival 'programme' will be curated so that each dance - each exercise video - works on a different part of the body, or mind. 

La Otra Gente - 2021

Examples
Anne Teresa De Keersmaeker
Approaches
Questions
Approaches

Called and calling

Connecting through the intimacy of a phonecall 

Examples
Compagnie du Théâtrophone
Questions
Examples
Samara Hersch
Spectrums
Spectator
Co-creator
Approaches

Copy K1tt3ns

'Copy K1tt3ns' is a sharing and project development platform that enables artists to share their unfinished scripts with audiences and ask them to perform these scripts as part of their development and reflection phase. It is open-ended in the sense that audiences decide how they want to respond/direct the script, and can tackle either single characters, develop settings and scenographies, etc. Additionally, the artists can choose to use or discard these audience proposals. All parties are invited to challenge intellectual property, and the artists need to reflect on their loyalties to the initial ideas. This could happen over recordings, live video/audio calls or edits of the transcript.. either as static documents or over collaborative processors such as Google Docs.
Questions
Approaches
Approaches