How does the preparation of a 'Showing Without Going' differ from those for a “going” work? There might be more time required in advance of the showing, without going. For example for; communication between host and artist (at a distance); rethinking the concept of a work such that relocating people isn't necessary; taking care of the landing of the work in another environment 'on its own'; finding the right medium for the work; finding the right audience for the work; perhaps inviting the audience in a different way.