approaches
considerations
examples
connections
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SHOWING WITHOUT GOING
Questions
What is affordable…
Preparation
Whose non-travel is being enabled?
Collaboration vs implementation
Finding a common language
Technology / Working in new sectors
Environment
Physical contact from a distance
Responsibility
The importance of being lazy
Power
Responsibility of the Audience
Not Your Thing?
Consequence / Impact / Usefulness
Audience
Feedback and Evaluation
Respect
How often can it happen?
Levels and tiers of participation ~ spectatorship
How to collaborate at a distance?
Time and space shared
A new set of legal and contractual negotiations?
Timing
Outcomes
Amount of Partner Countries Involved
Technology access and supporting infrastructure
Impact
Imprint
Advantages
Control
Responsibility - artist/host
Not travelling due to strenuous visa demands
Insisting on Presence
Out of control
Power dynamics
Authorship
Collective
Disability
Transcending I-other
Theatre staff - New roles, responsibilities, wages?
Risk in performance
Which language do we speak?
Local
What is the opposite of travel?
Technology
Funding Structure
A relationship between absence and death?
Longevity - models of legacy
“Liveness”
Payment when absent
Spectrums
Technology as
Tool
Co-creator
Duration
A moment
Infinity
Awareness of artifice, absence, (a)liveness
Aware / sure
Unaware / unsure
Laziness as
selective participation
energy management
The experience of participation as
Affirmative
Antagonistic
Active audience
mentally active
physical active
Authorship
Copyright
Open Source
Required availability of the artist
Completely available
Completely unneccesary
Audience
witnessing
spectating
Responsibility
Artist
Host
Absence
Imposed
Chosen
Identity of Artist
Known
Anonymous
Sensorial experience
One sense
Multiplicity of senses
Responsibility
Artist
Audience
Big / Little Brother
sense of guide's strong authority and control
sense of vulnerability / fragility in the guide, he/she/it needs our assistance
Control
Lost
Total
Space & Connectivity
Offline
Online
Location
Familiar
Unfamiliar
Relationship with audience
Trusting
Controlling
Performer
Non-human
Human
Travel
On foot
By plane
Addressing absence and distance in the work
Address as an explicit content
Address as implicit content
Engagement Period
One Performance / Workshop
Weekly sessions / Yearly Collaborations
Audience
Spectator
Co-creator
Mode of transmission
Experiential (i.e. physical, relational, immersive....)
Transference (i.e. representation, audience as observer....)
Responsibility
Individual
Shared
Experience
Individual
Collective
Situation with audience
Risky
Predictable
Format
Fixed / pre-recorded
Live / responsive
Technical Requirements
No Use of Technology Necessary
Advanced & Hi-Technology Necessary
Presence
Artist absent
Artist present
Absence as
compromise
benefit
Control of participation
Guided / precise / careful / minimal
Anarchic / messy / unpredictable / expansive
Adaptation
Existing form
Showing Without Going
Preparation
Unrehearsed
Rehearsed
Site
Neutral
Site-responsive / site-specific
Statements
Implications of technology race
Interlinking climate change with other challenges
There are many reasons for Showing Without Going
Travel Limitations
Censorship
Regional Imbalance
Data and Privacy Protection
Beyond solutions or restrictions