SHOWING WITHOUT GOING

Spectrums

Audience
witnessing
spectating
Preparation
Unrehearsed
Rehearsed
Authorship
Copyright
Open Source
Travel
On foot
By plane
Responsibility
Individual
Shared
Technical Requirements
No Use of Technology Necessary
Advanced & Hi-Technology Necessary
Awareness of artifice, absence, (a)liveness
Aware / sure
Unaware / unsure
Adaptation
Existing form
Showing Without Going
Addressing absence and distance in the work
Address as an explicit content
Address as implicit content
Duration
A moment
Infinity
Performer
Non-human
Human
Absence as
compromise
benefit
Mode of transmission
Experiential (i.e. physical, relational, immersive....)
Transference (i.e. representation, audience as observer....)
Active audience
mentally active
physical active
Identity of Artist
Known
Anonymous
Absence
Imposed
Chosen
Technology as
Tool
Co-creator
Control of participation
Guided / precise / careful / minimal
Anarchic / messy / unpredictable / expansive
Required availability of the artist
Completely available
Completely unneccesary
The experience of participation as
Affirmative
Antagonistic
Format
Fixed / pre-recorded
Live / responsive
Space & Connectivity
Offline
Online
Site
Neutral
Site-responsive / site-specific
Experience
Individual
Collective
Responsibility
Artist
Host
Situation with audience
Risky
Predictable
Responsibility
Artist
Audience
Control
Lost
Total
Laziness as
selective participation
energy management
Big / Little Brother
sense of guide's strong authority and control
sense of vulnerability / fragility in the guide, he/she/it needs our assistance
Location
Familiar
Unfamiliar
Relationship with audience
Trusting
Controlling
Presence
Artist absent
Artist present
Audience
Spectator
Co-creator
Sensorial experience
One sense
Multiplicity of senses
Engagement Period
One Performance / Workshop
Weekly sessions / Yearly Collaborations