SHOWING WITHOUT GOING

Spectrums

Experience
Individual
Collective
The experience of participation as
Affirmative
Antagonistic
Space & Connectivity
Offline
Online
Active audience
mentally active
physical active
Engagement Period
One Performance / Workshop
Weekly sessions / Yearly Collaborations
Audience
witnessing
spectating
Format
Fixed / pre-recorded
Live / responsive
Location
Familiar
Unfamiliar
Authorship
Copyright
Open Source
Site
Neutral
Site-responsive / site-specific
Required availability of the artist
Completely available
Completely unneccesary
Laziness as
selective participation
energy management
Addressing absence and distance in the work
Address as an explicit content
Address as implicit content
Travel
On foot
By plane
Absence as
compromise
benefit
Awareness of artifice, absence, (a)liveness
Aware / sure
Unaware / unsure
Identity of Artist
Known
Anonymous
Responsibility
Artist
Host
Audience
Spectator
Co-creator
Technical Requirements
No Use of Technology Necessary
Advanced & Hi-Technology Necessary
Sensorial experience
One sense
Multiplicity of senses
Duration
A moment
Infinity
Responsibility
Individual
Shared
Control
Lost
Total
Relationship with audience
Trusting
Controlling
Preparation
Unrehearsed
Rehearsed
Situation with audience
Risky
Predictable
Absence
Imposed
Chosen
Big / Little Brother
sense of guide's strong authority and control
sense of vulnerability / fragility in the guide, he/she/it needs our assistance
Responsibility
Artist
Audience
Mode of transmission
Experiential (i.e. physical, relational, immersive....)
Transference (i.e. representation, audience as observer....)
Technology as
Tool
Co-creator
Control of participation
Guided / precise / careful / minimal
Anarchic / messy / unpredictable / expansive
Performer
Non-human
Human
Presence
Artist absent
Artist present
Adaptation
Existing form
Showing Without Going