approaches
considerations
examples
connections
BACK
FULLSCREEN
PINNED
HELP
ABOUT
SHOWING WITHOUT GOING
Questions
Technology access and supporting infrastructure
Control
Outcomes
Authorship
Feedback and Evaluation
Technology / Working in new sectors
Collective
Transcending I-other
A new set of legal and contractual negotiations?
Physical contact from a distance
Technology
Theatre staff - New roles, responsibilities, wages?
Responsibility of the Audience
Advantages
Timing
Longevity - models of legacy
Insisting on Presence
Respect
A relationship between absence and death?
Imprint
Whose non-travel is being enabled?
How to collaborate at a distance?
Power dynamics
Amount of Partner Countries Involved
Levels and tiers of participation ~ spectatorship
Disability
Not travelling due to strenuous visa demands
Power
Time and space shared
Responsibility
Payment when absent
The importance of being lazy
Collaboration vs implementation
Finding a common language
What is the opposite of travel?
Out of control
Local
“Liveness”
Environment
Funding Structure
Preparation
Impact
Audience
Responsibility - artist/host
How often can it happen?
Consequence / Impact / Usefulness
What is affordable…
Risk in performance
Which language do we speak?
Not Your Thing?
Spectrums
Site
Neutral
Site-responsive / site-specific
Performer
Non-human
Human
Addressing absence and distance in the work
Address as an explicit content
Address as implicit content
Duration
A moment
Infinity
Laziness as
selective participation
energy management
Absence as
compromise
benefit
Control of participation
Guided / precise / careful / minimal
Anarchic / messy / unpredictable / expansive
Responsibility
Artist
Host
Sensorial experience
One sense
Multiplicity of senses
Technical Requirements
No Use of Technology Necessary
Advanced & Hi-Technology Necessary
Identity of Artist
Known
Anonymous
The experience of participation as
Affirmative
Antagonistic
Audience
witnessing
spectating
Situation with audience
Risky
Predictable
Big / Little Brother
sense of guide's strong authority and control
sense of vulnerability / fragility in the guide, he/she/it needs our assistance
Adaptation
Existing form
Showing Without Going
Audience
Spectator
Co-creator
Mode of transmission
Experiential (i.e. physical, relational, immersive....)
Transference (i.e. representation, audience as observer....)
Awareness of artifice, absence, (a)liveness
Aware / sure
Unaware / unsure
Space & Connectivity
Offline
Online
Preparation
Unrehearsed
Rehearsed
Format
Fixed / pre-recorded
Live / responsive
Relationship with audience
Trusting
Controlling
Absence
Imposed
Chosen
Travel
On foot
By plane
Control
Lost
Total
Technology as
Tool
Co-creator
Authorship
Copyright
Open Source
Required availability of the artist
Completely available
Completely unneccesary
Active audience
mentally active
physical active
Presence
Artist absent
Artist present
Engagement Period
One Performance / Workshop
Weekly sessions / Yearly Collaborations
Responsibility
Individual
Shared
Experience
Individual
Collective
Location
Familiar
Unfamiliar
Responsibility
Artist
Audience
Statements
Regional Imbalance
Implications of technology race
There are many reasons for Showing Without Going
Travel Limitations
Data and Privacy Protection
Censorship
Interlinking climate change with other challenges
Beyond solutions or restrictions