approaches
considerations
examples
connections
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SHOWING WITHOUT GOING
Questions
Environment
Imprint
How often can it happen?
Finding a common language
A new set of legal and contractual negotiations?
Respect
Not Your Thing?
Funding Structure
Levels and tiers of participation ~ spectatorship
Preparation
What is the opposite of travel?
Consequence / Impact / Usefulness
Power dynamics
Responsibility - artist/host
Control
Advantages
Impact
Transcending I-other
Collective
Power
Amount of Partner Countries Involved
Which language do we speak?
A relationship between absence and death?
Timing
How to collaborate at a distance?
Time and space shared
Technology access and supporting infrastructure
Outcomes
“Liveness”
Out of control
Disability
Local
Physical contact from a distance
Insisting on Presence
Longevity - models of legacy
What is affordable…
Authorship
Technology
Responsibility
Collaboration vs implementation
Not travelling due to strenuous visa demands
The importance of being lazy
Responsibility of the Audience
Feedback and Evaluation
Technology / Working in new sectors
Payment when absent
Theatre staff - New roles, responsibilities, wages?
Risk in performance
Audience
Whose non-travel is being enabled?
Spectrums
Absence as
compromise
benefit
Authorship
Copyright
Open Source
Relationship with audience
Trusting
Controlling
Laziness as
selective participation
energy management
Absence
Imposed
Chosen
Performer
Non-human
Human
Mode of transmission
Experiential (i.e. physical, relational, immersive....)
Transference (i.e. representation, audience as observer....)
Location
Familiar
Unfamiliar
Adaptation
Existing form
Showing Without Going
Addressing absence and distance in the work
Address as an explicit content
Address as implicit content
Awareness of artifice, absence, (a)liveness
Aware / sure
Unaware / unsure
Big / Little Brother
sense of guide's strong authority and control
sense of vulnerability / fragility in the guide, he/she/it needs our assistance
Format
Fixed / pre-recorded
Live / responsive
Control
Lost
Total
Engagement Period
One Performance / Workshop
Weekly sessions / Yearly Collaborations
Duration
A moment
Infinity
Responsibility
Individual
Shared
Identity of Artist
Known
Anonymous
Situation with audience
Risky
Predictable
Technology as
Tool
Co-creator
Sensorial experience
One sense
Multiplicity of senses
Audience
Spectator
Co-creator
Space & Connectivity
Offline
Online
Responsibility
Artist
Host
Site
Neutral
Site-responsive / site-specific
The experience of participation as
Affirmative
Antagonistic
Presence
Artist absent
Artist present
Travel
On foot
By plane
Responsibility
Artist
Audience
Required availability of the artist
Completely available
Completely unneccesary
Experience
Individual
Collective
Audience
witnessing
spectating
Active audience
mentally active
physical active
Preparation
Unrehearsed
Rehearsed
Technical Requirements
No Use of Technology Necessary
Advanced & Hi-Technology Necessary
Control of participation
Guided / precise / careful / minimal
Anarchic / messy / unpredictable / expansive
Statements
Beyond solutions or restrictions
There are many reasons for Showing Without Going
Censorship
Data and Privacy Protection
Interlinking climate change with other challenges
Travel Limitations
Implications of technology race
Regional Imbalance