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SHOWING WITHOUT GOING
Questions
Disability
How often can it happen?
Respect
Longevity - models of legacy
Preparation
Collaboration vs implementation
Impact
How to collaborate at a distance?
Audience
“Liveness”
Which language do we speak?
Time and space shared
Payment when absent
Control
Consequence / Impact / Usefulness
Theatre staff - New roles, responsibilities, wages?
Advantages
Responsibility of the Audience
Funding Structure
Technology / Working in new sectors
A new set of legal and contractual negotiations?
Environment
The importance of being lazy
Risk in performance
What is affordable…
Not travelling due to strenuous visa demands
Collective
Feedback and Evaluation
Whose non-travel is being enabled?
Local
Timing
Power dynamics
Not Your Thing?
Amount of Partner Countries Involved
Responsibility
Outcomes
Physical contact from a distance
Transcending I-other
Out of control
A relationship between absence and death?
Finding a common language
What is the opposite of travel?
Technology
Power
Insisting on Presence
Imprint
Technology access and supporting infrastructure
Levels and tiers of participation ~ spectatorship
Responsibility - artist/host
Authorship
Spectrums
Engagement Period
One Performance / Workshop
Weekly sessions / Yearly Collaborations
Responsibility
Individual
Shared
Responsibility
Artist
Audience
Technical Requirements
No Use of Technology Necessary
Advanced & Hi-Technology Necessary
Identity of Artist
Known
Anonymous
Control of participation
Guided / precise / careful / minimal
Anarchic / messy / unpredictable / expansive
Space & Connectivity
Offline
Online
Travel
On foot
By plane
Active audience
mentally active
physical active
Experience
Individual
Collective
Control
Lost
Total
Technology as
Tool
Co-creator
Absence
Imposed
Chosen
Responsibility
Artist
Host
Absence as
compromise
benefit
Required availability of the artist
Completely available
Completely unneccesary
Location
Familiar
Unfamiliar
Audience
Spectator
Co-creator
Sensorial experience
One sense
Multiplicity of senses
Situation with audience
Risky
Predictable
Big / Little Brother
sense of guide's strong authority and control
sense of vulnerability / fragility in the guide, he/she/it needs our assistance
Preparation
Unrehearsed
Rehearsed
Awareness of artifice, absence, (a)liveness
Aware / sure
Unaware / unsure
Mode of transmission
Experiential (i.e. physical, relational, immersive....)
Transference (i.e. representation, audience as observer....)
Addressing absence and distance in the work
Address as an explicit content
Address as implicit content
Duration
A moment
Infinity
Authorship
Copyright
Open Source
The experience of participation as
Affirmative
Antagonistic
Performer
Non-human
Human
Relationship with audience
Trusting
Controlling
Audience
witnessing
spectating
Presence
Artist absent
Artist present
Adaptation
Existing form
Showing Without Going
Site
Neutral
Site-responsive / site-specific
Format
Fixed / pre-recorded
Live / responsive
Laziness as
selective participation
energy management
Statements
Regional Imbalance
Interlinking climate change with other challenges
Censorship
Implications of technology race
Data and Privacy Protection
Travel Limitations
Beyond solutions or restrictions
There are many reasons for Showing Without Going