approaches
considerations
examples
connections
BACK
FULLSCREEN
PINNED
HELP
ABOUT
SHOWING WITHOUT GOING
Questions
Collective
Levels and tiers of participation ~ spectatorship
Payment when absent
Environment
Power
Funding Structure
Local
Technology
“Liveness”
How to collaborate at a distance?
Collaboration vs implementation
Technology / Working in new sectors
Responsibility - artist/host
Authorship
Risk in performance
Not travelling due to strenuous visa demands
Control
Longevity - models of legacy
What is affordable…
Time and space shared
Out of control
Theatre staff - New roles, responsibilities, wages?
How often can it happen?
A relationship between absence and death?
The importance of being lazy
Responsibility of the Audience
Technology access and supporting infrastructure
Responsibility
Timing
Outcomes
Finding a common language
Physical contact from a distance
Not Your Thing?
Respect
Preparation
Advantages
Consequence / Impact / Usefulness
Amount of Partner Countries Involved
Audience
A new set of legal and contractual negotiations?
What is the opposite of travel?
Which language do we speak?
Imprint
Power dynamics
Transcending I-other
Feedback and Evaluation
Insisting on Presence
Impact
Whose non-travel is being enabled?
Disability
Spectrums
Control of participation
Guided / precise / careful / minimal
Anarchic / messy / unpredictable / expansive
Location
Familiar
Unfamiliar
Control
Lost
Total
Travel
On foot
By plane
Responsibility
Artist
Audience
Adaptation
Existing form
Showing Without Going
Experience
Individual
Collective
Active audience
mentally active
physical active
Authorship
Copyright
Open Source
Audience
witnessing
spectating
Presence
Artist absent
Artist present
Laziness as
selective participation
energy management
Relationship with audience
Trusting
Controlling
Engagement Period
One Performance / Workshop
Weekly sessions / Yearly Collaborations
Responsibility
Individual
Shared
Sensorial experience
One sense
Multiplicity of senses
The experience of participation as
Affirmative
Antagonistic
Format
Fixed / pre-recorded
Live / responsive
Situation with audience
Risky
Predictable
Technology as
Tool
Co-creator
Space & Connectivity
Offline
Online
Required availability of the artist
Completely available
Completely unneccesary
Technical Requirements
No Use of Technology Necessary
Advanced & Hi-Technology Necessary
Audience
Spectator
Co-creator
Absence
Imposed
Chosen
Preparation
Unrehearsed
Rehearsed
Duration
A moment
Infinity
Mode of transmission
Experiential (i.e. physical, relational, immersive....)
Transference (i.e. representation, audience as observer....)
Responsibility
Artist
Host
Big / Little Brother
sense of guide's strong authority and control
sense of vulnerability / fragility in the guide, he/she/it needs our assistance
Addressing absence and distance in the work
Address as an explicit content
Address as implicit content
Awareness of artifice, absence, (a)liveness
Aware / sure
Unaware / unsure
Performer
Non-human
Human
Identity of Artist
Known
Anonymous
Site
Neutral
Site-responsive / site-specific
Absence as
compromise
benefit
Statements
Travel Limitations
There are many reasons for Showing Without Going
Censorship
Implications of technology race
Interlinking climate change with other challenges
Regional Imbalance
Beyond solutions or restrictions
Data and Privacy Protection