SHOWING WITHOUT GOING

Spectrums

Sensorial experience
One sense
Multiplicity of senses
Adaptation
Existing form
Showing Without Going
Control
Lost
Total
Experience
Individual
Collective
Required availability of the artist
Completely available
Completely unneccesary
Space & Connectivity
Offline
Online
Control of participation
Guided / precise / careful / minimal
Anarchic / messy / unpredictable / expansive
Travel
On foot
By plane
Responsibility
Individual
Shared
Active audience
mentally active
physical active
Identity of Artist
Known
Anonymous
Authorship
Copyright
Open Source
Relationship with audience
Trusting
Controlling
Preparation
Unrehearsed
Rehearsed
Engagement Period
One Performance / Workshop
Weekly sessions / Yearly Collaborations
Awareness of artifice, absence, (a)liveness
Aware / sure
Unaware / unsure
Absence as
compromise
benefit
Technology as
Tool
Co-creator
Format
Fixed / pre-recorded
Live / responsive
Responsibility
Artist
Host
The experience of participation as
Affirmative
Antagonistic
Audience
Spectator
Co-creator
Mode of transmission
Experiential (i.e. physical, relational, immersive....)
Transference (i.e. representation, audience as observer....)
Presence
Artist absent
Artist present
Site
Neutral
Site-responsive / site-specific
Audience
witnessing
spectating
Addressing absence and distance in the work
Address as an explicit content
Address as implicit content
Situation with audience
Risky
Predictable
Laziness as
selective participation
energy management
Technical Requirements
No Use of Technology Necessary
Advanced & Hi-Technology Necessary
Location
Familiar
Unfamiliar
Big / Little Brother
sense of guide's strong authority and control
sense of vulnerability / fragility in the guide, he/she/it needs our assistance
Responsibility
Artist
Audience
Performer
Non-human
Human
Duration
A moment
Infinity
Absence
Imposed
Chosen