approaches
considerations
examples
connections
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SHOWING WITHOUT GOING
Questions
Collaboration vs implementation
How to collaborate at a distance?
Time and space shared
Responsibility - artist/host
Funding Structure
Local
The importance of being lazy
Technology
Impact
Environment
Control
Not Your Thing?
Feedback and Evaluation
Payment when absent
Risk in performance
Whose non-travel is being enabled?
Insisting on Presence
Collective
How often can it happen?
Preparation
Timing
Technology / Working in new sectors
Respect
Imprint
Consequence / Impact / Usefulness
Power
Finding a common language
Audience
Advantages
Outcomes
Theatre staff - New roles, responsibilities, wages?
Disability
Longevity - models of legacy
Levels and tiers of participation ~ spectatorship
Responsibility of the Audience
Technology access and supporting infrastructure
Not travelling due to strenuous visa demands
Physical contact from a distance
A relationship between absence and death?
What is affordable…
“Liveness”
What is the opposite of travel?
Amount of Partner Countries Involved
Out of control
Authorship
Power dynamics
Responsibility
Transcending I-other
A new set of legal and contractual negotiations?
Which language do we speak?
Spectrums
Duration
A moment
Infinity
Presence
Artist absent
Artist present
Situation with audience
Risky
Predictable
Sensorial experience
One sense
Multiplicity of senses
Authorship
Copyright
Open Source
Site
Neutral
Site-responsive / site-specific
Location
Familiar
Unfamiliar
Adaptation
Existing form
Showing Without Going
Technical Requirements
No Use of Technology Necessary
Advanced & Hi-Technology Necessary
Relationship with audience
Trusting
Controlling
Addressing absence and distance in the work
Address as an explicit content
Address as implicit content
The experience of participation as
Affirmative
Antagonistic
Absence as
compromise
benefit
Laziness as
selective participation
energy management
Absence
Imposed
Chosen
Travel
On foot
By plane
Awareness of artifice, absence, (a)liveness
Aware / sure
Unaware / unsure
Control
Lost
Total
Performer
Non-human
Human
Active audience
mentally active
physical active
Mode of transmission
Experiential (i.e. physical, relational, immersive....)
Transference (i.e. representation, audience as observer....)
Control of participation
Guided / precise / careful / minimal
Anarchic / messy / unpredictable / expansive
Format
Fixed / pre-recorded
Live / responsive
Responsibility
Artist
Host
Engagement Period
One Performance / Workshop
Weekly sessions / Yearly Collaborations
Required availability of the artist
Completely available
Completely unneccesary
Audience
Spectator
Co-creator
Experience
Individual
Collective
Preparation
Unrehearsed
Rehearsed
Space & Connectivity
Offline
Online
Responsibility
Artist
Audience
Technology as
Tool
Co-creator
Big / Little Brother
sense of guide's strong authority and control
sense of vulnerability / fragility in the guide, he/she/it needs our assistance
Audience
witnessing
spectating
Responsibility
Individual
Shared
Identity of Artist
Known
Anonymous
Statements
Censorship
There are many reasons for Showing Without Going
Data and Privacy Protection
Beyond solutions or restrictions
Travel Limitations
Implications of technology race
Interlinking climate change with other challenges
Regional Imbalance