approaches
considerations
examples
connections
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SHOWING WITHOUT GOING
Questions
Authorship
How to collaborate at a distance?
The importance of being lazy
Imprint
Advantages
Timing
Power dynamics
Outcomes
Out of control
Transcending I-other
Physical contact from a distance
Amount of Partner Countries Involved
Disability
Responsibility of the Audience
Consequence / Impact / Usefulness
A relationship between absence and death?
Environment
Time and space shared
Levels and tiers of participation ~ spectatorship
Impact
“Liveness”
Preparation
Audience
Technology access and supporting infrastructure
Risk in performance
Not travelling due to strenuous visa demands
Power
Collaboration vs implementation
Finding a common language
Whose non-travel is being enabled?
Technology
Control
Not Your Thing?
What is affordable…
Responsibility - artist/host
Local
Insisting on Presence
Which language do we speak?
How often can it happen?
Theatre staff - New roles, responsibilities, wages?
Respect
Funding Structure
Collective
Longevity - models of legacy
A new set of legal and contractual negotiations?
Technology / Working in new sectors
What is the opposite of travel?
Responsibility
Payment when absent
Feedback and Evaluation
Spectrums
Authorship
Copyright
Open Source
Location
Familiar
Unfamiliar
Identity of Artist
Known
Anonymous
Active audience
mentally active
physical active
Format
Fixed / pre-recorded
Live / responsive
Duration
A moment
Infinity
Addressing absence and distance in the work
Address as an explicit content
Address as implicit content
Relationship with audience
Trusting
Controlling
Control of participation
Guided / precise / careful / minimal
Anarchic / messy / unpredictable / expansive
Required availability of the artist
Completely available
Completely unneccesary
Technical Requirements
No Use of Technology Necessary
Advanced & Hi-Technology Necessary
Site
Neutral
Site-responsive / site-specific
Big / Little Brother
sense of guide's strong authority and control
sense of vulnerability / fragility in the guide, he/she/it needs our assistance
Absence
Imposed
Chosen
Laziness as
selective participation
energy management
Engagement Period
One Performance / Workshop
Weekly sessions / Yearly Collaborations
Travel
On foot
By plane
Awareness of artifice, absence, (a)liveness
Aware / sure
Unaware / unsure
Responsibility
Artist
Audience
Adaptation
Existing form
Showing Without Going
Space & Connectivity
Offline
Online
The experience of participation as
Affirmative
Antagonistic
Presence
Artist absent
Artist present
Responsibility
Individual
Shared
Control
Lost
Total
Technology as
Tool
Co-creator
Situation with audience
Risky
Predictable
Mode of transmission
Experiential (i.e. physical, relational, immersive....)
Transference (i.e. representation, audience as observer....)
Sensorial experience
One sense
Multiplicity of senses
Audience
witnessing
spectating
Performer
Non-human
Human
Absence as
compromise
benefit
Responsibility
Artist
Host
Experience
Individual
Collective
Preparation
Unrehearsed
Rehearsed
Audience
Spectator
Co-creator
Statements
Travel Limitations
Implications of technology race
There are many reasons for Showing Without Going
Regional Imbalance
Beyond solutions or restrictions
Interlinking climate change with other challenges
Censorship
Data and Privacy Protection